DSpace at Tsuru University >
01大学院紀要 >
第23集 >
このアイテムの引用には次の識別子を使用してください:
http://trail.tsuru.ac.jp/dspace/handle/trair/906
|
タイトル: | The Representation of the Blackness/Darkness in Chang-rae Lee’s A Gesture Life |
著者: | MIYATA, Masumi |
著者別名: | 宮田, 真澄 |
出版者: | 都留文科大学大学院 |
言語: | en |
NCID: | AA11162950 |
掲載誌名: | 都留文科大学大学院紀要 |
刊行日付: | 2019-03-01 |
号: | 23 |
ISSN: | 1880-1439 |
開始ページ: | 43 |
終了ページ: | 53 |
抄録: | In this paper, I discuss the representation of the blackness/darkness in Chang-rae Lee’s A
Gesture Life. Franklin Hata, whose Japanese name was Jiro Kurohata (kurohata means a black
flag), the protagonist, was born to Korean parents in Japan during the annexation of Korea
by Japan. When World War II broke out, he was obligated to take care of comfort women—
especially Kkutaeh, a Korean woman. His superior used a black flag to let him know when he
should get her ready. I present an analysis of his name and the symbolism of the flag. After the
war, Hata emigrated to the United States and adopted Sunny from Pusan in Korea. She was a GI
baby (a GI baby is a baby who is born to a soldier in the US military and a local woman) — a
black girl. I explore the relationship between Hata and Sunny. By referring to Comfort Women
of the Empire published by Park Yuha, I also present evidence regarding the hidden history of
comfort women. |
記述: | 英語英米文学専攻 |
資料タイプ: | Departmental Bulletin Paper |
著者版フラグ: | publisher |
URI: | http://trail.tsuru.ac.jp/dspace/handle/trair/906 |
出現コレクション: | 第23集
|
このリポジトリに保管されているアイテムはすべて著作権により保護されています。
|