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Title: | 「魔術的リアリズム」についての研究 |
Other Titles: | A Study of "Magical Realism" |
Authors: | 依藤, 道夫 |
Other Authors: | YORIFUJI, Michio |
Language: | ja |
NCID: | AN00149431 |
Journal Title: | 都留文科大学研究紀要 |
刊行日付: | 2002-10-19 |
Issue: | 57 |
ISSN: | 0286-3774 |
Start Page: | 55 |
End Page: | 62 |
Abstract: | This paper is a study on "Magical Realism", which is a term originally used by Franz Roh,
a German critic of art and historian. The term gradually came to be used for literature,
especially for Latin American literature. We now use it when we discuss and think of Latin
American authors(novelists)such as Alejo Carpentier, Gabriel Garc a Ma´rquez and
Carlos Fuentes, etc. But we can also study authors of other areas like William Faulkner and
James Joyce, etc., through this "Magical Realism".
What we treat in the field of "Magical Realism" is the mixture of realism and non-realism
(fantasy). In literature it is thus a new term, not old, as Professor Vera Kutzinski of the
Department of English of Yale University says. It is not so easy to define this term very
clearly. It is at the same time comprehensive and specific in its meaning.
This paper discusses what "Magical Realism" is both in meaning and historically and how
it works especially in Gabriel Garc a Ma´rquez's One Hundred Years of Solitude and William
Faulkner's Absalom, Absalom!, etc.
The final aim is to make clear what the "Magical Realism" authors could do and how they
did it. Indeed,“Magical Realism”seems to be one of the most effective and worthiest way
of writing for authors to describe the deep truths of modern complicated human society. |
Type: | Departmental Bulletin Paper |
Textversion: | publisher |
URI: | http://trail.tsuru.ac.jp/dspace/handle/trair/416 |
Appears in Collections: | 第57集
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